Chinatown Above The Film Noir Genre Essay - 1597 Words

The viewer sees a private eye and beautiful client. First thought, It’s definitely another Hollywood crime drama. On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn is not the classic femme fatale. Though Jake mistakes her for her husband’s killer at first, Mrs.†¦show more content†¦It shows how Jake is persistent and dedicated to his job, even if it always seems like he is in over his head. Jake, however, also departs from the film noir tradition when he lets his emotions get the bes t of him. The greatest example of this is seen during the exchange between him and Evelyn when he is trying to find out the truth about Katherine. Resorting for the first time to violence against a woman, the near desperation with which Jake pushes Evelyn to confess is an expression of his fears and anxieties about being completely lost amidst the lies that surround him. The result is the humanization of Jake Giddes’ character. He simply is not perfect, and ultimately fails to see the bigger picture of what he is involved with until . While classic film noir is characterized by high compositional tension, or low lit black and white cinematography, Polanski managed to infuse Chinatown with that sense of corruption and nihilism so prevalent in noir in bright Southern California despite employing a photographic element previously thought antithetical to film noir style: color film stock. The dominant colors of Chinatown are brown, gray, and black, which can be seen as an indication of the film’s allusion to the noir tradition of black-and-white. The various hues of brown and gold can be seen throughout the film, from clothing to homesShow MoreRelatedAmerican Film Noir For Present Day1829 Words   |  8 Pages American Film Noir Student’s Name Institutional Affiliation American Film Noir There have been several debates over a long period of time concerning the validity of film noir as a distinct genre. Essays and books have debated the term for years using various criteria and rubrics to back up their respective positions on the subject. As the 21st century brings new and creative trends from screenwriting to post-production and everything in between, the boundaries of noir become evenRead More Dames, Coppers, and Crooks: A L:ook At Film Noir Essay2891 Words   |  12 PagesCrooks: A Look At Film Noir nbsp;nbsp;nbsp;nbsp;nbsp;Film noir is a style of black and white American films that first evolved in the 1940s, became prominent in the post-war era, and lasted in a classic â€Å"Golden Age† period until about 1960. Frank Nino, a French film critic, first coined the label film noir, which literally means black film or cinema, in 1946. Nino noticed the trend of how â€Å"dark† and black the looks and themes were of many American crime and detective films released in France